MASURA varnishes. My report on testing.

I welcome all!
At last and I can provide to yours I listen the review of the varnishes of the MASURA brand received by me from an easy hand of our moderator of manicure community Natalya Galova.
I will honestly tell, hard I was given this review. It is direct everything was against me, beginning from a delay with receiving a parcel, sharp change of weather conditions with ongoing rains and fogs, I should have taken only it in hand that caused decline in quality of a photo, and finishing with the fact that shades got to me very beautiful, but extremely difficult in respect of a truthful color rendition in particular for the camera of my phone. And therefore and editing ready pictures borrowed on time longer than usual.
But to all death on the evil I made it! And it is how successful, to judge to you.

So, on the review five shades of varnishes, a basic covering and a top were received.



When unpacked a parcel, the transparent dark bottle entered me into a stupor. The first thought even was that to me put not a top, and oil. And then already I guessed to look at a bottom of a bottle and read that it is a popular top of "5 stars". Just earlier it was issued in a light bottle and I was aware not that the producer replaced a container.
Shades of varnishes were already familiar to me visually on svotcha in Instagram. Generally it is representatives left in the summer in a series of collaborations with neylbloger (4 pieces) and one collaboration of the Masura brand with the known Russian online store "Lakodom".

Further a photo of the same varnishes under a lamp. Bleskuchy filling which is present at each shade is so best of all shown.



In all varnishes and a top identical thin round brush. In principle convenient though I also dislike such brushes.

I will show the first collaboration with Lakodom, "Create" a shade of 1127.
Warm lilac jelly base with addition of a large number silvery golokhlopyev. Came to a photo slightly more brightly, than in life.



The texture is leaky therefore I had to paint varnish in three layers to block free edge of a nail. I suspect short it will be possible to lay in two layers.
On a photo varnish without top since it has the good luster. The truth it short-lived therefore nevertheless I recommend a top layer for it.



Unostentatious, pleasant shade in a sock with delicate holography. Dries quickly enough, easily accumulates and does not pull for itself the previous layer.
Will quite descend even for office option.
Is removed without efforts. During removal paints nothing.

Added design in the form of a lacy stemping. Looked very gently.



Further varnishes collaborations with neylbloger will go.
The shade 1143 Bananomaniya created together with @ardenta_nails. Very interesting batch. Quite dense base of a light yellow shade with addition of a pink smallest shimmer, small golden fragmentary mica and small holographic glitter.



Very pleasant shade in a sock, the truth all interesting filling is practically lost on nails from distance of an outstretched arm.



I tried to catch at least in a bottle varnish filling that you had more exact idea of it.
Here it is possible to make out a pink shimmer and golden mica.



And here tried to catch a holographic modulation of microglitter which unfortunately because of dense base on nails looks just gray krapushka. But so it very much reminds natural banana pulp which served as inspiration for creation of this varnish.



This varnish turned out not from the most appeasable, as well as many yellow, though I will not tell that super harmful. If to know couple of nuances, then pokras will leave quite comfortable. Me this varnish forced to paint it in two calling. The first time I painted it on naked nails to accelerate process, and the first layer laid down very baldly. The second layer could not block completely a bald patch of the first and it was necessary to add the third. In general this varnish demands a certain skill and even speed, I would tell. As varnish quite dense and quickly enough begins to grab on a nail, thin also the speed of full drying at varnish not really fast was not succeeded to make layers from what as a result the covering zapuzyrit.
But we do not look for easy ways and we do not lower a hand.
pokras decided to begin the second with causing native masurovsky base. Business went more cheerfully. Who has short nails, those without problems will lay Bananomaniya in two dense beds. On long it was difficult to me to make these layers uniform and here and there pleshka nevertheless appeared through and it was necessary to add the third layer again. Only this time I well dried each layer. Several treacherous bubbles nevertheless jumped out, but in general it did not spoil appearance.
Next time, and it it will be obligatory since varnish very much was pleasant, before pokrasy I will a little dilute it, I think it will make varnish more appeasable.
Lach, by the way, demands obligatory drawing a top since she has a little rough finish because of glitter. On svotcha above varnish is applied in three layers and covered with a top of "5 stars".
Is removed from nails with small effort, the gologlitter not really wishes to leave nails with light baggage. And also mica and a shimmer can stick to skin, but couple of washings of hands with soap fix this problem.
Does not paint a nail plate.

As design to this varnish chose a gradient with other shade from survey varnishes and a stemping. It turned out not late spring, not that early summer.



Here that varnish from the previous design. The shade of 1142 "Peace in Love" created in collaboration with @yyulia_m. A warm pripylenny coniferous-green shade of jelly base with addition silvery golokhlopyev. At me it turned out on a photo more saturated, but in life the pripylennost is shown more considerably.



Oooochen obedient, ooochen comfortable varnish! Perfectly kept within two layers, quickly dried. The holography is delicate, but noticeable. The luster excellent, on a photo varnish without top, but it in process socks is rubbed clean therefore I recommend to put nevertheless a top covering to keep beauty for longer term.



As design added the foiled sliders with a vegetable ornament. Went with this manicure several days, so it to me was comfortable, and erased with a big regret.
Is removed, by the way, very easily, without painting anything.
Here the shade is closer to real.



The fourth varnish from sent me to the review was the most ambiguous. The shade of 1145 Aemilia created in collaboration with @Shy_nails. Bright color, changeable so extremely difficult in respect of a truthful color rendition. It is the turquoise depending on intensity of light leaving it is more in green, in blue. The texture is identical to the previous varnish, jelly base with addition golokhlopyev.



Kept within two layers, but you should not delay when drawing. It is necessary to paint with confident fast movements and it is desirable not to carry out by a brush in one place several times since bald patches can be formed. And for some reason this varnish most longer dried on me. And even after full drying the finish of varnish became nedoglyantsevy that did not go to it at all, and I at once put a top layer of "5 stars".



There is very beautiful varnish, but unfortunately for me there was absolutely not comfortable this shade. There was a strong feeling something foreign on nails and I and did not sustain its solo covering in the afternoon.
Decided to zadizaynit it to the maximum to neutralize a turquoise shade. During this period I participated in one creative competition and the subject for the neylart was winter. I decided that Aemilia perfectly will approach as a substrate under a "winter" stemping.



The truth in this design hardly it is possible to guess what varnish in a basis. And it seemed to me not really fairly in relation to Aemilia. Varnish that beautiful is also not guilty that at me friendship with turquoise shades is not found. Therefore this varnish was awarded a secondary pokras after the first and the design to it was thought up more air, not hiding its beauty. Also can do it the most banal banality, but I decided that imitation will be the best design to turquoise varnish... turquoise. To that I wanted to create something similar for a long time and here at last the case was presented. What I also immediately made.
Turquoise tried to represent by means of a sponge and gold varnish, with addition black a streak and specks through water manicure. The truth was necessary to photograph manicure under lamps and the camera of my phone this time not absolutely coped with an objective and the photo turned out not the most accurate.



Here in such look I liked "to carry" this varnish and I do not exclude that once I will repeat this design.
Varnish without problems is removed, but insignificant coloring of a nail plate was observed. Possibly bright pigment in this shade was very caustic. Have it in a look and use as a substrate base of which protective properties you are sure if you decide to buy this varnish.

And finally I left varnish toy, the shade of 1138 of "A violet for Anastasia" created together with @Lemann_i. Why toy? Because it is thermo-varnish, i.e. it changes the shade depending on the body temperature and the environment.
On texture this dense jelly with addition golokhlopyev. But a varnish highlight besides thermoeffect is the golden shimmer which gives to varnish an easy warm luminescence, though poorly distinguishable for an eye from far away. The finish at a covering sateen, but it very much goes to this varnish.
In a cold state varnish of a dark-violet shade which my camera most strongly muddled and I was already ready to shoot myself so far tried to extend the necessary color in the editor. To that photographed varnish in several calling, in different days and at different times day therefore both skin of a different shade, and a shade of varnish can differ a little from a photo to a photo. I ask for this forgiveness, but I made everything that I could. I think an essence to you it will be clear.

Such, "cold", it was on me most often since I am "piece of ice" on life.



There are my hands and warm, but to show you other forms of this thermo-varnish, it was necessary to dip nails into hot water constantly. On the following photo transition state which is similar to a smooth gradient and happens on an accurate service jacket.



The following photo - a warm condition of varnish. The truth tips all the same managed to darken since in the apartment not hot for now you rub off hands from hot water until you attach a hand in a shot until you crack several frames, tips already stiffened. But I believe an essence to you it is clear. In a warm condition of "A violet for Anastasia" become light violet.



This varnish ooochen was pleasant to me! The truth demanded three layers since in a warm state small bald spots when drying the second layer were shown though in a cold state they were not visible. But in principle varnish dries quickly enough and the third layer did not add particular problems.
And still I very much wanted to show you a highlight of varnish and I tried to catch the phone that golden shimmer at least in a bottle.



And one more Swatch, sublamp, not the most reliable in respect of color, but beautiful turned out. And in general this varnish well ooochen cool!



Thermo very sensitive also reacts instantly to temperature change. It is that case when the adult aunty continually stared at the nails once again to make out what color on nails now. And considering that I am a violet maniac, this varnish is direct here lethal blow! With the great pleasure carried it!

In respect of design it decided to be played too, added a stemping a violet metallic. There was a wish that the drawing as if followed from a dark part on light. It seems to me it was possible.



Did not cover the Stemping with a top to keep structure of a print, so it was more obviously looked through at a cold condition of varnish.
But then me it became dullish and I decided to add contrast - white florets.



Something turned out like the curling roses on a shod lattice. Well at least I am an artist, I so see!
But also on it I did not stop. As they say, incurred Ostap and I covered all this business with an opaque top.



Well and on my especially personal taste the opaque top was superfluous here. On a photo still nothing looks, especially on transition state of varnish, and here in life the top beat both a delicate luminescence of filling of varnish, and a dark pattern of a stemping.
And here the luster to "Violets" very much "suits". I painted this varnish twice during this time (did not play enough for the first pokras) and for the second time carried it with holographic sliders and the covered top of "5 stars". Too very beautifully looked. Unfortunately I cannot show you since those svotch remained raw, and it was absolutely inadmissible to delay the review already. But you can take me a word, this varnish is fine also with the native finish, and with glossy.
Varnish with hardly any trouble at all is removed, the trifle the shimmer on skin around a nail can creep away, but it easily washes off.
At removal paints nothing.

Well and at the end of the review I want to show you the design executed by means of all five shades provided to me on the review.
Used the equipment of a reverse stemping.



As you can see shades are perfectly mixed among themselves and it is possible to think up the mass of interesting combinations for the neylart.



The following photo under a lamp with a top of "5 stars".



It is necessary and to tell about a top. It had heard a lot that the old version at many quickly got denser and often strongly puzyrit. It is possible that the formula was finished and for this reason replaced a bottle. For usage time of this top, and it is slightly more than a month and couple of tens of manicures, the top never gave bubbles. Into the account of solidification it is difficult to draw so far conclusions since even a half-bottle it is not used yet. But I can tell that initially the texture of a top was average density, not fluid and not viscous. Such texture, by the way, allows to cover a stemping almost "without loss". But provided that it is dried up (stemping) and and you accurate, easy and confident movement distribute a top on a nail. I few times fell into a reverie meditativno putting a top and paid for it with a lung it is greased the drawing. About friendship with sliders too I will tell nothing. Those that were used by me were previously covered with a layer of transparent drank-off bases in avoidance of wrinkling of a foil.
And so, for a month of use the top, so seemed to me, saaamy trifle became more dense, but meanwhile it does not cause any problems. Huge plus of this top is that it dries almost instantly. But I pay your attention that all this not drying, and just a top, i.e. it is necessary to apply it on absolutely dried varnish covering. Otherwise the top will dry, but under it there will be soft not dried up varnish coats which from it will dry even longer and there is a risk to spoil manicure when performing some manipulations.
The top gives excellent luster already in one layer which remains long time. When drying does not pull together varnish at a cuticle and from edges. Generally, the name "5 stars" justifies a top for all 100%!

Well and several words about a basic covering of BASIC Nail Hardener.



This base is stated, how strengthening, but I cannot estimate this property on myself since particular problems with nails were not observed. Means has a dairy shade, a brush flat with an equal cut which without any problem distributes it on a nail. Dries quickly enough. Varnishes on it lay down perfectly, at least native (nonnative tried only one, but too without problems). But one minus was noticed, at it protective properties are not too high and this base can pass especially juicy pigments. Do you remember wrote above that Aemilia can paint a nail plate? And so then varnish was made up on this base. To be fair has to tell that not all bases are capable and obliged to constrain the painting pigments. And I not to be unfounded tested this base with other varnish with very caustic pigment. And yes, it passes, but all not completely, nails were slightly painted at removal. That is this basic covering at least will reduce coloring of nails in a varnish pigment if other more reliable bases in this plan do not appear available. Generally, in any option it is better with this base, than absolutely without it.

On it I will finish the review. I hope you did not tire.
Who mastered up to the end, warmly I thank for attention!
And of course there is a wish to tell the words of huge gratitude to the sponsor for the given opportunity to test their products which appeared very good, just remarkable quality and it is no wonder that it safely competes with eminent foreign brands! And especially pleases that such cool varnishes manufacture in Russia that significantly saves our lakomanyachny budget.
And special thanks to Natasha Galova that gave me chance to test products of the MASURA brand.