I chose the Blot set. In it, of course, various blots and effect of the spread paint.
The second set "Nail Sabbath". In it is mute cliches in style of Halloween, there "muzzles" for pumpkin, a vedmochka, a broom, reduction, candy and other are presented.
And some more separate trafaretik are available.
Cliches are intended, both for gel polishes, and for usual varnishes. I use only the last. Still the option of use of cliches in an aerographics on nails is possible, but it is already more difficult option and not for me, and for professionals.
Each set of cliches is in a separate bag of the instruction.
Cliches represent stickers on a substrate. Stickers are in itself thin, the sticky basis is not strongly pasted, moderately. So the dried varnish will not come off and glue on varnish will not remain too.
So, we begin design, of course, with processing and degreasing of a nail.
We apply varnish basis. There can be both a monophonic varnish, and a gradient, the drawing though that. Varnish (or varnishes) have to dry out properly that the sticker of a cliche did not remove varnish and did not spoil design.
Further the cliche is pasted. It has to adjoin densely to a nail that the varnish painting from above painted over only the necessary area and did not spread out of its limits. For dense pressing of a cliche it is possible to use a brush, an orange stick or other improvised accessory. And it is also necessary to pay attention how to put a cliche. Here everything depends on design which you will think up. Can be in the middle, or with edge of a nail plate or in all nail if the drawing of a cliche big. If desired it is possible to cut a cliche on several parts and to use on several nails, for example, if the drawing big and allows to make it.
Over a cliche we apply the varnish differing in color from varnish basis.
So far varnish did not dry, that is at once as soon as it was applied, it is necessary to remove a cliche accurately. Not the sharp movement, but slow in one party. It is the best of all to use tweezers that not to grease with fingers and not the careful movement the drawing.
Further we wait for full drying of varnish and we put a top covering if it is demanded by design. At will it is possible to use still any drawing with a cliche, to use spangles, rhinestones and other devices on your discretion.
The design is ready. There is nothing difficult.
In practice, of course, it is necessary to be accustomed. I will tell you that not at once at me all this turned out. There were both misses, and the greased designs. Still everything depends on varnishes: how dense consistence at the varnish chosen by you as far as it is dense. With liquid varnishes I badly had relations. They spread and greased the drawing. Therefore having trained, I chose what varnishes most of all suit me.
Nail length is of also great importance. For some cliches drawing volume on a cliche was too big therefore I did not use them. But besides the choice of cliches of VinilStick not small therefore it is necessary to choose what will suit you most of all.
As a result each time it turns out better and better. Creative designs with cliches become easier and more beautiful and who does not know that a secret in cliches, can not believe that the design is made independently.
